King Jazz Bayu Wirawan (Jazz Composer, Pianist) Held A Jazz Album Impromptu Recording Session With Jazz Musicians; Bassist: Christian Dunham, Drummer: Brother B (Philips), Recording Engineer: Pix Mason (On-line Recording), & Bayu Wirawan (On Mixing), Producer: Christian Dunham, Executive Producer: Bayu Wirawan, Christian Dunham, Manager: Duncan Coleman
King Jazz Bayu Wirawan (Jazz Composer, Pianist) Doing Impromptu Performances & Jazz Workshops In Various Stages on International Woodford Festival. Being Accompanied By Brother “B” Drummer of Thanky Funk Lover U.S.A and Christian Dunham, Kevin Borish Bassist England-Australia. Woodford Becaming Bayu’s Unforgotten Memory. A Moment When The Extreme Sensitivity Of Impromptu Jazz Trio Were Formed. Did The Impromptu Jazz Gigs Together, and Also Impromptu Recording Masterpieces Bearing. King Jazz
King Jazz Bayu Wirawan (Jazz Composer, Pianist) Held A Jazz Album Impromptu Recording Session With Jazz Musicians; Bassist: Christian Dunham, Drummer: Brother B (Philips), Recording Engineer: Pix Mason (On-line Recording), & Bayu Wirawan (On Mixing), Producer: Christian Dunham, Executive Producer: Bayu Wirawan, Christian Dunham, Manager: Duncan Coleman
(1) In statistics, the analysis of a group by determining the characteristics of a significant percentage of its members chosen at random.
(2) Converting analog signals into digital form. Audio and other analog signals are continuous waveforms that are analyzed at various points in time and converted into digital samples. The accuracy with which the digital samples reflect their analog origins is based on “sampling rate” and “sample size.” See A/D converter.
Sampling Rate – When to Measure
The sampling rate is the number of times per second that the waveform is measured, which typically ranges from 8 to 192 thousand times per second (8 kHz to 192 kHz). The greater the rate, the higher the frequency that can be captured. For a comparison of high-quality samples, see high-resolution sampling rates.
The sampling rate must be at least twice that of the analog frequency being captured. For example, the sampling rate used to create the digital data on a CD is 44.1 kHz, slightly more than double the 20kHz frequency an average person can hear. The sampling rate for digitizing voice for a toll-quality conversation is typically 8,000 times per second (8 kHz), twice the 4 kHz required for the full spectrum of the human voice. See analog and Nyquist theorem.
Sample Size – The Measurement
Also called “resolution” and “precision,” the sample size is the measurement of each sample point on a numeric scale. Known as “quantizing,” the sample point is turned into the closest whole number. The more granular the scale (the more increments), the more accurate the digital sample represents the original analog signal. See oversampling, quantization and PCM.
Sampling Sound
The faster the sampling rate and the larger the sample size, the more accurately sound can be digitized. An 8-bit sample breaks the sound wave into 255 increments compared with 65,535 for a 16-bit sample.
Sampling Dialog
This recording dialog from an earlier Sound Blaster sound card shows typical sampling options for digitizing sound into Windows WAV files.
Taken From: http://encyclopedia2.thefreedictionary.com/Digital+sampling
Nama Orang Tua: P. SOESILO, Prof. Dr. (Paulus Susilo, Pensiunan Depdikbud KAKANWIL Propinsi Irian Jaya – Depdikbud KAKANWIL Sejarah Kepurbakalaan Propinsi Timor-Timur, KA Museum Nasional, DOSEN Guru Besar Anthropology UNCEN, UGM)
Nama Ibu: Agnes Martini, drs. Msc (Pensiunan Kepsek SMAN ! Dili – Timor-Timur)
EDUCATION’S HISTORY (PENDIDIKAN):
1) KINDER GARDEN / TK: 1977 – 1978 TK. KUNTUM MEKAR ARGAPURA, TK. SARINAH JAYAPURA, IRIAN JAYA (WEST PAPUA)
2) ELEMENTARY / SD: 1978 – 1985 SD. KRISTUS RAJA DOK V JAYAPURA IRIAN JAYA (WEST PAPUA)
3) SECONDARY HIGH / SMP: 1984 – 1985 SMPK PAULUS VI DILI, TIMOR TIMUR (EAST TIMOR / TIMOR LESTE)
4) SENIOR HIGH / SMA: 1987 – 1990 SMAN 2 PURWOKERTO, JAWA TENGAH (CENTRAL JAVA)
5) INDONESIAN OPEN UNIVERSITY – ENGLISH FACULTY –JAKARTA -1990
6) LITURGY MUSIC CENTER – YOGYAKARTA – 1990
GRADUATED:
7) S1 – BACHELOR OF MUSIC IN PRODUCTION – ARIZONA STATE UNIVERSITY – 1993
8) S2 – MASTER OF ARTS – CALIFORNIA STATE UNIVERSITY, FRESNO – 2005
9) S2 – MASTER OF MUSIC – NEW YORK UNIVERSITY – 2007
10) S3 – DOCTOR HONORIS CAUSA (HONORARY DOCTOR IN MANAGEMENT) – UNIVERSITY OF HAWAII – 2001
11) S3 – DOCTOR OF MUSIC – UNIVERSITY OF CAMBRIDGE – 2008
12) S3 – DOCTOR OF EDUCATION – UNIVERSITY OF TASMANIA – 2008
‘SKILLS AND EXPERTS ON’ – (TRAMPIL DAN AHLI DI DALAM BIDANG-BIDANG):
Please Download My Videos, when Captured any of me in Doing Life Impromptu Recording Spontaneously on the Babby Grand Kawai Piano. “Without The Concept is The Concept” – Bayu Wirawan (King Jazz)
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